My essay, Statues and the Colonised Mind, is published by The Bangalore Review.
In the middle of Tavistock Square in London is a monument of Gandhi seated in a meditative pose. Its face is grim and lined, the body almost skeletal. It always has a fresh garland of orange flowers around its neck and a candle burning at the foot of the pedestal. But this morning I saw a woman in front of it and cursing. She tore the flowers off the statue, threw them in the bushes and after shaking her fist at Gandhi, walked away swearing. I was shocked by her reaction. Wasn’t the statue just a mound of bronze? And what was it doing aside from reigning over the park so peacefully? Obviously, the statue had triggered something in the woman.
Statues are controversial – what they represent and what they serve to remind us of. They emphasise, hide, reveal or quash stories. Where they are placed is as important as what they symbolise. In Tavistock Square, Gandhi is at the centre and the head of Virginia Woolf in the far-left corner. Would it make any difference if the monuments were switched with Virginia presiding over the park and Gandhiji watching from the sidelines? Possibly, the dynamic inside the park would be different. Arguably, the statue of a literary figure has a different vibration from that of a political activist not only because their work and writings are so varied but also because of what they signify and represent…
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