My essay No Place for Women published in World Literature Today.
For the past few years I’ve been living in Lahore. Like they have for many, the brave women-led Iranian protests have made me reflect on the rights of women and the price we pay for freedom and justice. With this in mind, I decided to visit the Lahore High Courts to see what it was like for women living here.
So as to remain inconspicuous, a friend suggested I dress like a lawyer in a white salwar kameez and black coat. As I got ready that morning, I recalled the last time I’d been in a courtroom was over twenty years ago while working as a lawyer in Kenya.
As we drove through the streets of Lahore, the December sky was a cloudless, dull gray, there was heavy smog, and the roads were jammed with traffic. Pigeons sat like guardians on the electricity wires crisscrossing the city. A man with a basket at the roundabout shouted in a raucous voice for passers-by to buy his boiled eggs.
The iconic red-brick High Court building sits in the shadow of Anarkali and the general post office on Mall Road and was built in 1889 by the British in Indo-Saracenic style. The main materials used in its construction were brick masonry, kankar-lime mortar, Nowshera pink marble, and terracotta jaali. It is an imposing building, signaling the weight and might of the law.
I made my way through the tall gates to the main courtyard and found a well-landscaped compound; tall, leafy trees and walkways lined with flowers and low bushes. But despite the greenery, the atmosphere was taut; a mood of expectation tinged with a premonition of disappointment. The place had a strange energy—a feeling of paralysis and listlessness, on one hand, and a preying, animalistic aggression on the other….
www.worldliteraturetoday.org/2023/july/no-place-women-farah-ahamed
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